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Peter Halley
A Monograph
Brief Description
Painting as simulation and hyperreality: Peter Halley and the digital age. In the 1980s, Peter Halley revitalised painting by relying on sociology and science fiction. He employed fluorescent colours and Roll-A-Tex to deconstruct early and mid-twentieth-century transcendent geometric abstraction into abstract cells and prisons, adding conduits...
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Peter Halley
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Description
Painting as simulation and hyperreality: Peter Halley and the digital age.
In the 1980s, Peter Halley revitalised painting by relying on sociology and science fiction. He employed fluorescent colours and Roll-A-Tex to deconstruct early and mid-twentieth-century transcendent geometric abstraction into abstract cells and prisons, adding conduits to imaginatively access outside forces.
Peter Halley has met many challenges posed by the Information Age and French poststructuralism by situating his painting on the divide separating analogue and digital worlds. Robert Hobbs's monograph analyses Halley's geometric and highly keyed art in terms of opportunities provided by the Internet, aesthetic possibilities afforded by Photoshop, timely relevance advanced by Michel Foucault's and Jean Baudrillard's sociological theories, as well as conundrums presented by both science fiction and physics.
Book Details
INFORMATION
ISBN: 9783777441672
Publisher: Hirmer Verlag
Format: Hardback
Date Published: 07 March 2024
Country: Germany
Imprint: Hirmer Verlag
Illustration: 113 colour illustrations; 113 Illustrations, color
Audience: General / adult
DIMENSIONS
Width: 240.0mm
Height: 280.0mm
Weight: 1560g
Pages: 256
Collections
About the Author
A noted curator and art historian, Robert Hobbs specialises in modern, postmodern, and contemporary art. The author of more than fifty books and major catalogues on 20th and 21st-century art, including monographs on Alice Aycock, Edward Hopper, Robert Motherwell, Robert Smithson, and Kara Walker, he has served as a professor at Yale, Cornell and VCU.
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